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Julian Barnes I loved Ellen, and I wanted to know the worst. I never provoked her; I was cautious and defensive, as is my habit; I didn't even ask questions; but I wanted to know the worst. Ellen never returned this caress. She was fond of me - she would automatically agree, as if the matter weren't worth discussing, that she loved me - but she unquestioningly believed the best about me. That's the difference. She didn't ever search for that sliding panel which opens the secret chamber of the heart, the chamber where memory and corpses are kept. Sometimes you find the panel, but it doesn't open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you've looked. That's the real distinction between people: not between those who have secrets and those who don't, but between those who want to know everything and those who don't. This search is a sign of love, I maintain. It's similar with books. Not quite the same, of course (it never is); but similar. If you quite enjoy a writer's work, if you turn the page approvingly yet don't mind being interrupted, then you tend to like that author unthinkingly. Good chap, you assume. Sound fellow. They say he strangled an entire pack of Wolf Cubs and fed their bodies to a school of carp? Oh no, I'm sure he didn't: sound fellow, good chap. But if you love a writer, if you depend upon the drip-feed of his intelligence, if you want to pursue him and find him - despite edicts to the contrary - then it's impossible to know too much. You seek the vice as well. A pack of Wolf Cubs, eh? Was that twenty-seven or twenty-eight? And did he have their little scarves sewn up into a patchwork quilt? And is it true that as he ascended the scaffold he quoted from the Book of Jonah? And that he bequeathed his carp pond to the local Boy Scouts? But here's the difference. With a lover, a wife, when you find the worst - be it infidelity or lack of love, madness or the suicidal spark - you are almost relieved. Life is as I thought it was; shall we now celebrate this disappointment? 1984 |