New Bulgarian University >

Center for Cognitive Science >

Summer Schools >

2004 >

Course Description

 

 

 

 

Visual Perception of the 3-D World

 

Myron L. Braunstein

University of California, Irvine

 

 

      How we perceive the visual world has been a concern of philosophers and scientists throughout history, but only in the past few decades have we begun to understand the complexity of visual perception.  The speculation of early writers still influences current thinking and the debate about whether perception is direct or a product of unconscious inference continues today.  We will begin with some early writings about the nature of vision and consider the constructivist approaches of Helmholtz and Rock (Day 1).  Next we will examine J. J. Gibson's theory of direct perception and Gunnar Johansson's concept of decoding principles (Day 2). We will then consider David Marr's computational approach and the role of heuristics in perception (Day 3).  Next we will turn to empirical results, beginning with studies of the role of motion in depth perception and how visual information is integrated to provide a perception of a 3-D scene (Day 4).  The examination of scene perception will conclude with research on the perception of layout (Day 5).

 

Day 1: Perceptual Theory I - PowerPoint Presentation

 

·        Early theories of vision

·        Unconscious inference

 

Required reading:

            Rock, I. (1983). The Logic of Perception. Cambridge, MA: MIT Press. pp. 1-42.

 

Optional readings:

            Pastore, N. (1971). Selective History of Theories of Visual Perception: 1650-1950. New York: Oxford University Press, Chapters 2, 3, 4 and 5.

            Epstein, W. (1995). The metatheoretical context. In W. Epstein & S. J. Rogers (Eds.), Perception of Space and Motion (pp. 1-22). San Diego, CA: Academic Press.

            Helmholtz, H. (1910/1962). Treatise on Physiological Optics. Translated from the 3d German ed. Edited by James P. C. Southall. New York: Dover Publications. Vol. III, pp. 1 37.

 

 

Day 2: Perceptual theory II - PowerPoint Presentation

 

·        Direct perception

·        Decoding principles

 

Required readings:

Gibson, J. J. (1979). The Ecological Approach to Visual Perception.  Boston: Houghton Mifflin. pp. 127-143, 238-263.

            Johansson, G. (1970). On theories for visual space perception: A letter to Gibson. Scandinavian Journal of Psychology, 11, 67-74.

Gibson, J. J. (1970). On theories for visual space perception: A reply to Johansson. Scandinavian Journal of Psychology, 11, 75-79.

 

Optional reading:

Gibson, J. J. (1966). The Senses Considered as Perceptual Systems. Boston: Houghton Mifflin. pp. 250-265.

 

 

Day 3: Perceptual theory III - PowerPoint Presentation

 

·        Smart mechanisms

·        Computational vision

·        Heuristics

 

Required readings:

Runeson, S. (1977). On the possibility of smart perceptual mechanisms. Scandinavian Journal of Psychology, 18, 172-179.

            Marr, D. (1982). Vision : A Computational Investigation into the Human Representation and Processing of Visual Information. San Francisco: W.H. Freeman, pp. 3-38.

Braunstein, M. L. (1994). Decoding principles, heuristics and inference in visual perception. In G. Jansson, S. S. Bergstrom, & Epstein, W. (Eds.), Perceiving Events and Objects. Hillsdale, NJ: Erlbaum.

 

Optional readings:

            Hoffman, D. D.  (1998).  Visual intelligence: how we create what we see.  New York:  W. W. Norton.

 

 

Day 4: Scene Perception I - PowerPoint Presentation

 

·        Structure-from-motion and motion parallax

·        Distance and shape

 

Required readings:

            Andersen, G. J., Braunstein, M. L., & Saidpour, A. (1998). The perception of depth and slant from texture in 3D scenes. Perception, 27, 1087-1106.

            Sauer, C. W., Braunstein, M. L., Saidpour, A., & Andersen, G. J.  Propagation of depth information from local regions in 3-D scenes.  (2002).  Perception, 31, 1047–1059.

 

Optional readings: 

Rogers, B., & Graham, M. (1979). Motion parallax as an independent cue for depth perception. Perception, 8, 125-134

Andersen, G. J., Saidpour, A., & Braunstein, M. L. (1998). Effects of collimation on perceived layout in 3D scenes.  Perception, 27, 1305-1315.

Sauer, C. W., Saidpour, A., Braunstein, M. L., & Andersen, G. J. (2001). Perceived depth of 3-D objects in 3-D scenes. Perception, 30, 681-692.

Braunstein, M. L., Sauer, C. W.,  Feria, C. S., & Andersen, G. J.   (2002).  Perceived internal depth in rotating and translating objects. Perception, 31, 943-954.

 

 

Day 5: Scene Perception II - PowerPoint Presentation

 

  • Layout

 

Required readings:

            Meng, J. C., & Sedgwick, H. A. (2001).  Distance perception mediated through nested contact relations among surfaces.  Perception & Psychophysics, 63, 1-15.

Ni, R., Braunstein, M. L., & Andersen, G. J.  (in press). Distance perception from motion parallax and ground contact. Visual Cognition.

Ni, R., Braunstein, M. L., & Andersen, G. J.  (in press). Perception of scene layout from optical contact, shadows and motion. Perception.

 

Optional reading:

            Meng, J. C., & Sedgwick, H. A. (2002).  Distance perception across spatial discontinuities.  Perception & Psychophysics, 64, 1-14.

Small group discussions

For the first three days, theoretical issues will be discussed in the afternoon sessions.  For the remaining two days, the design of new experiments will be explored.

Assessment

Students who take the course for credit will be asked to write a research proposal (10 page maximum) for a study of some aspect of the perception of the visual world.

 

Myron L. Braunstein

 

            Myron L. (Mike) Braunstein received his Ph.D. in Psychology from the University of Michigan in 1957 and 1961.  He was employed as a Research Psychologist at the Cornell Aeronautical Laboratory (1960-1963) and at the Flight Safety Foundation (1963-1965).  He has been on the faculty at the University of California, Irvine, since 1965, where he is currently Professor of Psychology in the Department of Cognitive Sciences.  He is a fellow in the American Psychological Association and the American Psychological Society and served as Editor of Perception & Psychophysics from 1994 through 1998.  He is author of Depth Perception Through Motion (1976).  His research has been concerned with the role of motion in the perception of the visual world and how motion combines with other information in the perception of three-dimensional scenes.